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- \version "2.18.2"
- \header {
- title = "Maria durch ein Dornwald ging"
- poet = "Nach Harthausen (1850)"
- composer = "Aus Deutschland, 17. Jh."
- arranger = "Arr: Lorenz Maierhofer"
- % hide 'Music engraving by...' footer
- tagline = ##f
- }
- \paper {
- score-system-spacing #'basic-distance = #24
- }
- global = {
- \time 4/4
- \partial 4
- \key e \minor
- }
- finalbar = \bar "|."
- chordsOne = \chordmode {
- \global
- s4 | e1:m | e2:m b2:7 |
- e2:m a:m | b1:7 |
- g1 | d2.
- b4:7 | e1:m | b1:7 |
- e4:m b:7 e2:m | e4:m b:7 e:m
- }
- verseOne = \lyricmode {
- \set stanza = #"1."
- Ma4 -- | ri4. -- a8 durch4 ein4 | Dorn4 wald4 ging.2 |
- Ky4 -- rie8 e8 -- lei2 -- | son.2.
- Ma4 -- | ri4. -- a8 durch4 ein4 | Dorn4. -- wald8 ging,4
- der8 _8 | hat4. in8 sie8 -- ben8 Jahr8 kein8 | Laub4. ge8 -- tra4 -- gen.4 |
- Ky4. -- ri8 -- e4 e4 -- | lei4 -- _4 son.4
- }
- \score
- {
- <<
- \chords {
- \set chordNameLowercaseMinor = ##t
- \chordsOne
- }
- \new Lyrics \verseOne
- >>
- }
- %{
- [...] ‘simultaneous’ music expression is formed by enclosing expressions inside << and >> [...]
- [...] An invisible rest [...] can be entered
- like a note with the note name s [...]
- [...] do not use an underscore, _, to skip notes –
- an underscore indicates a melisma,
- causing the preceding syllable to be left-aligned. [...]
- http://lilypond.org/doc/v2.19/Documentation/notation/techniques-specific-to-lyrics
- %}
|