\version "2.18.2"

\header {
  title = "Maria durch ein Dornwald ging"
  poet = "Nach Harthausen (1850)"
  composer = "Aus Deutschland, 17. Jh."
  arranger = "Arr: Lorenz Maierhofer"
  % hide 'Music engraving by...' footer
  tagline = ##f
}

\paper {
  score-system-spacing #'basic-distance = #24
}

global = {
  \time 4/4
  \partial 4
  \key e \minor
}

finalbar = \bar "|."

chordsOne = \chordmode {
    \global
    s4 | e1:m | e2:m b2:7 |
    e2:m a:m | b1:7 |
    g1 | d2.
    b4:7 | e1:m | b1:7 |
    e4:m b:7 e2:m | e4:m b:7 e:m
}

verseOne = \lyricmode {
  \set stanza = #"1."
  Ma4 -- | ri4. -- a8 durch4 ein4 | Dorn4 wald4 ging.2 |
  Ky4 -- rie8 e8 -- lei2 -- | son.2.
  Ma4 -- | ri4. -- a8 durch4 ein4 | Dorn4. -- wald8 ging,4
  der8 _8 | hat4. in8 sie8 -- ben8 Jahr8 kein8 | Laub4. ge8 -- tra4 -- gen.4 |
  Ky4. -- ri8 -- e4 e4 -- | lei4 -- _4 son.4
}

\score
{
  <<
  \chords {
    \set chordNameLowercaseMinor = ##t
    \chordsOne
  }
  \new Lyrics \verseOne
  >>
}

%{

[...] ‘simultaneous’ music expression is formed by enclosing expressions inside << and >> [...]

[...] An invisible rest [...] can be entered
like a note with the note name s [...]

[...] do not use an underscore, _, to skip notes –
an underscore indicates a melisma,
causing the preceding syllable to be left-aligned. [...]
http://lilypond.org/doc/v2.19/Documentation/notation/techniques-specific-to-lyrics

%}