\version "2.18.2" \header { title = "Maria durch ein Dornwald ging" poet = "Nach Harthausen (1850)" composer = "Aus Deutschland, 17. Jh." arranger = "Arr: Lorenz Maierhofer" % hide 'Music engraving by...' footer tagline = ##f } \paper { score-system-spacing #'basic-distance = #24 } global = { \time 4/4 \partial 4 \key e \minor } finalbar = \bar "|." voiceFirst = \relative { \set melismaBusyProperties = #'() b4 | e4. fis8 g4 b4 | \tieDashed g8~g8 \slurDashed fis8 (e8) fis4~fis4 | g4 g8 g8 a2 | b2. \slurSolid g8 (a8) | b4. a8 b4 c8 (b8) | a4. g8 a4 \slurDashed b8 (a8) | g4. fis8 g~g a (g) | fis4. e8 fis4 fis | e4. fis8 g4 b4 | g4 (fis4) e\fermata \unset melismaBusyProperties \finalbar } voiceSecond = \relative { b4 e4. dis8 e4 \slurSolid g8 (fis8) \tieDashed e8~e8 \slurDashed b8 (cis8) dis4 (b4) \slurSolid e8 (d8) c8 b8 a (c e4) dis2. \slurSolid e8 (fis8) g4. d8 g4 a8 (g8) d4. e8 fis4 \slurDashed b,8 (dis8) e4. b8 e~e e~e dis4. cis8 dis4 b e4 b4 e4 g8 (fis8) e4 (b4) e\fermata } chordsOne = \chordmode { s4 | e1:m | e2:m b2:7 | e2:m a:m | b1:7 | g1 | d2. b4:7 | e1:m | b1:7 | e4:m b:7 e2:m | e4:m b:7 e:m } verseOne = \lyricmode { \set stanza = #"1." Ma -- | ri -- a durch ein | Dorn -- \skip 1 wald _ ging. _ | Ky -- rie e -- lei -- | son. Ma -- \skip 1 | ri -- a durch ein _ | Dorn -- wald ging, der _ | hat in sie -- ben Jahr kein | Laub ge -- tra -- gen. | Ky -- ri -- e e -- | lei -- \skip 1 son. | } verseTwo = \lyricmode { \set stanza = #"2." Was | trug Ma -- ri -- a | un -- ter ih -- rem Her -- zen? | Ky -- rie e -- lei -- | son. Ein _ | klei -- nes Kind -- lein _ | oh -- ne Schmer -- zen, das | trug Ma -- ri -- \skip 1 a _ | un -- ter'm Her -- zen. Ky -- ri -- e e -- | lei -- \skip 1 son. | } verseThree = \lyricmode { \set stanza = #"3." Da hab'n die Dor -- nen Ro -- \skip 1 sen ge -- tra -- gen, Ky -- rie e -- lei -- | son. Als das Kind -- lein durch den _ Wald ge -- tra -- gen, da haben die Dor -- \skip 1 nen _ Rosen ge -- tra -- gen. Ky -- ri -- e e -- | lei -- \skip 1 son. | } \score { << \chords { \set chordNameLowercaseMinor = ##t \chordsOne } \new Staff << \global \clef "treble" \new Voice = "1" { \voiceOne \voiceFirst } \new Voice = "2" { \voiceTwo \tiny \voiceSecond } >> \new Lyrics \lyricsto "1" \verseOne \new Lyrics \lyricsto "1" \verseTwo \new Lyrics \lyricsto "1" \verseThree >> } \score { << \new Staff << \global \clef "treble" \new Voice \voiceFirst >> \new Staff << \global \clef "treble_8" \new Voice \voiceSecond >> >> } %{ [...] ‘simultaneous’ music expression is formed by enclosing expressions inside << and >> [...] [...] An invisible rest [...] can be entered like a note with the note name s [...] [...] do not use an underscore, _, to skip notes – an underscore indicates a melisma, causing the preceding syllable to be left-aligned. [...] http://lilypond.org/doc/v2.19/Documentation/notation/techniques-specific-to-lyrics %}